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PATRICK BRENNAN with LISLE ELLIS
SAUNTERS, WALKS, AMBLES
CIMP 187
Crepuscule with Nellie / bucket-a-blood / Misterioso / saunter, walk,
amble: a. elsewise / b. far elseway / c. blootzway / d. sweet flat / Misterioso
/ ornithine / teletropic / Expression / Nonaah / precipining (a/b) / Chronology
/ backAtchya
Brennan, as; Lisle Ellis, b. September 28-29, 1998, Rossie, NY
A rather misleadingly laid-back title for an album of
such focus and intensity, unless perhaps Brennan is aware
that it was no less an authority than Henry David Thoreau
who declared that sauntering and ambling were the key
disciplines for an American philosopher. Duos of this
kind are always demanding, but Brennan has attempted to
lend a bit of familiarity to his slightly esoteric approach
by including two Monk tunes, the opening 'Crepuscule With
Nellie’ and two versions of 'Misterioso'.
‘Nellie’ is by far the longest thing on the
set, and it serves as an introduction and warm-up number.
It’s only when Brennan and Ellis really get into
the meat of their encounter on the four-part 'saunter,
walk, amble' that things heat up. Brennan has a rather
clenched and inconsistent tone, but Ellis is wise to every
harmonic waver and shift and he stays with the line, whatever
is going on. The key track is Roscoe Mitchell’s
composition, 'Nonaah’, which brings out the best
in both men. ‘Bucket-A-Blood’ (a duo track,
the writer probably means the solo version of Misterioso,
or Chronolgy) is for unaccompanied saxophone and suggests
that Brennan might yet do interesting things in that direction.
- Richard Cook & Brian Morton |